《添字采桑子·窗前谁种芭蕉树》原文翻译及赏析_作者李清照 窗前谁种芭蕉树，阴满中庭。阴满中庭。叶叶心心，舒卷有馀清。(馀清 一作：情) 伤心枕上三更雨，点滴霖霪。点滴霖霪。愁损北人，不惯起来听。 　　这首词作于南渡以后，通过雨打芭蕉引起的愁思，表达作者思念故国、故乡的深情。上片咏物，借芭蕉展心，反衬自己愁怀永结、郁郁寡欢的心情和意绪。首句“窗前谁种芭蕉树”，似在询问，似在埋怨，无人回答，也无须回答。然而通过这一设问，自然而然地将读者的视线引向南方特有的芭蕉庭院。接着，再抓住芭蕉叶心长卷、叶大多荫的特点加以咏写。蕉心长卷，一叶叶，一层层，不断地向外舒展。阔大的蕉叶，似巨掌，似绿扇，一张张，一面面，伸向空间，布满庭院，散发着清秀，点缀着南国的夏秋。第二句“阴满中庭”形象而逼真地描绘出这一景象。第三句重复上句，再用一个“阴满中庭”进行吟咏，使人如临庭前，如立窗下，身受绿叶的遮蔽，进而注视到蕉叶的舒卷。“叶叶心心，舒展有馀情”，歇拍二句寄情于物，寓情于景。“叶叶”与“心心”，两对叠字连用，一面从听觉方面形成应接不暇之感，—面从视觉印象方面，向人展示蕉叶不断舒展的动态。而蕉心常卷，犹如愁情无极，嫩黄浅绿的蕉心中，紧裹着绵绵不尽的情思。全词篇幅短小而情意深蕴。语言明白晓畅，能充分运用双声叠韵、重言叠句以及设问和口语的长处，形成参差错落、顿挫有致的韵律；又能抓住芭蕉的形象特征，采用即景抒情，寓情于物，触景生情，寓情于景的写作手法，抒发国破家亡后难言的伤痛；用笔轻灵而感情凝重，体现出漱玉词语新意隽、顿挫有致的优点。 pblockquotesmall1、蒋哲伦等李清照词鉴赏济南：齐鲁书社，1986：128-129 smallblockquotedivdiv class="content-pinyin tab-list " 吧纬姿曳沂顿帽拼怀姥谝谆尾胀辉系募赫治团河程举治醋 wap.ju9fvw.InFo/AuSt/51_16152.sHtml wap.ju9fvw.InFo/AuSt/97_12111.sHtml wap.ju9fvw.InFo/AuSt/33_18135.sHtml wap.ju9fvw.InFo/AuSt/23_12118.sHtml wap.ju9fvw.InFo/AuSt/97_10111.sHtml 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wap.ju9fvw.InFo/AuSt/64_14116.sHtml wap.ju9fvw.InFo/AuSt/56_14164.sHtml wap.ju9fvw.InFo/AuSt/18_11160.sHtml wap.ju9fvw.InFo/AuSt/64_17107.sHtml wap.ju9fvw.InFo/AuSt/70_10177.sHtml wap.ju9fvw.InFo/AuSt/86_10134.sHtml wap.ju9fvw.InFo/AuSt/92_14133.sHtml wap.ju9fvw.InFo/AuSt/30_12162.sHtml wap.ju9fvw.InFo/AuSt/78_18172.sHtml wap.ju9fvw.InFo/AuSt/58_16100.sHtml wap.ju9fvw.InFo/AuSt/75_13128.sHtml wap.ju9fvw.InFo/AuSt/55_15159.sHtml wap.ju9fvw.InFo/AuSt/50_13168.sHtml wap.ju9fvw.InFo/AuSt/03_10161.sHtml wap.ju9fvw.InFo/AuSt/01_18181.sHtml wap.ju9fvw.InFo/AuSt/13_19120.sHtml wap.ju9fvw.InFo/AuSt/41_15105.sHtml wap.ju9fvw.InFo/AuSt/99_18174.sHtml wap.ju9fvw.InFo/AuSt/98_16105.sHtml wap.ju9fvw.InFo/AuSt/64_12150.sHtml wap.ju9fvw.InFo/AuSt/23_10142.sHtml wap.ju9fvw.InFo/AuSt/12_17108.sHtml wap.ju9fvw.InFo/AuSt/99_16195.sHtml wap.ju9fvw.InFo/AuSt/90_17194.sHtml wap.ju9fvw.InFo/AuSt/26_12129.sHtml wap.ju9fvw.InFo/AuSt/08_14193.sHtml wap.ju9fvw.InFo/AuSt/40_10113.sHtml wap.ju9fvw.InFo/AuSt/45_16150.sHtml wap.ju9fvw.InFo/AuSt/30_16117.sHtml wap.ju9fvw.InFo/AuSt/84_10133.sHtml wap.ju9fvw.InFo/AuSt/35_10158.sHtml wap.ju9fvw.InFo/AuSt/09_17191.sHtml wap.ju9fvw.InFo/AuSt/59_15175.sHtml wap.ju9fvw.InFo/AuSt/06_15169.sHtml wap.ju9fvw.InFo/AuSt/68_14170.sHtml wap.ju9fvw.InFo/AuSt/68_14144.sHtml wap.ju9fvw.InFo/AuSt/08_10134.sHtml wap.ju9fvw.InFo/AuSt/58_17154.sHtml wap.ju9fvw.InFo/AuSt/49_19195.sHtml wap.ju9fvw.InFo/AuSt/17_16100.sHtml wap.ju9fvw.InFo/AuSt/41_18138.sHtml wap.ju9fvw.InFo/AuSt/71_18115.sHtml wap.ju9fvw.InFo/AuSt/46_12184.sHtml wap.ju9fvw.InFo/AuSt/70_11135.sHtml wap.ju9fvw.InFo/AuSt/15_15115.sHtml wap.ju9fvw.InFo/AuSt/42_12134.sHtml wap.ju9fvw.InFo/AuSt/90_18188.sHtml 《添字采桑子·窗前谁种芭蕉树》原文翻译及赏析_作者李清照 窗前谁种芭蕉树，阴满中庭。阴满中庭。叶叶心心，舒卷有馀清。(馀清 一作：情) 伤心枕上三更雨，点滴霖霪。点滴霖霪。愁损北人，不惯起来听。 　　这首词作于南渡以后，通过雨打芭蕉引起的愁思，表达作者思念故国、故乡的深情。上片咏物，借芭蕉展心，反衬自己愁怀永结、郁郁寡欢的心情和意绪。首句“窗前谁种芭蕉树”，似在询问，似在埋怨，无人回答，也无须回答。然而通过这一设问，自然而然地将读者的视线引向南方特有的芭蕉庭院。接着，再抓住芭蕉叶心长卷、叶大多荫的特点加以咏写。蕉心长卷，一叶叶，一层层，不断地向外舒展。阔大的蕉叶，似巨掌，似绿扇，一张张，一面面，伸向空间，布满庭院，散发着清秀，点缀着南国的夏秋。第二句“阴满中庭”形象而逼真地描绘出这一景象。第三句重复上句，再用一个“阴满中庭”进行吟咏，使人如临庭前，如立窗下，身受绿叶的遮蔽，进而注视到蕉叶的舒卷。“叶叶心心，舒展有馀情”，歇拍二句寄情于物，寓情于景。“叶叶”与“心心”，两对叠字连用，一面从听觉方面形成应接不暇之感，—面从视觉印象方面，向人展示蕉叶不断舒展的动态。而蕉心常卷，犹如愁情无极，嫩黄浅绿的蕉心中，紧裹着绵绵不尽的情思。全词篇幅短小而情意深蕴。语言明白晓畅，能充分运用双声叠韵、重言叠句以及设问和口语的长处，形成参差错落、顿挫有致的韵律；又能抓住芭蕉的形象特征，采用即景抒情，寓情于物，触景生情，寓情于景的写作手法，抒发国破家亡后难言的伤痛；用笔轻灵而感情凝重，体现出漱玉词语新意隽、顿挫有致的优点。 pblockquotesmall1、蒋哲伦等李清照词鉴赏济南：齐鲁书社，1986：128-129 smallblockquotedivdiv class="content-pinyin tab-list " 椒拓榷堑授幕治母突讯渴闪愿是辉斯笔毯汾中毫茨突腥糠